epiphone casino black pickguard placement

It's also worth noting that the Bigsby version sounds more airy than its trapeze'd sibling.Ĭontrolled in classic Gibson fashion with a three-way toggle pickup selector and volume and tone for each single coil, there's a host of sounds to be found here, though, it takes a little time to dial in.

Clark is hardly a shredder and, of course, thanks to that lack of centre block, the neck joins the body at the 16th fret, which actually makes upper-fret work a bit of a stretch.įrom the guitar's acoustic resonance, you get an idea of what's in store: it's a lively performer, with a very different, shorter and pluckier response, compared with a centre-blocked semi or, certainly, a solidbody. Setup, as supplied by Epiphone, is almost too low, and it would easily suit a higher action and heavier strings - on the standard 629mm (24.75-inch) scale, either 0.010s or 0.011s would certainly work. The wide and low frets are nicely installed on the rosewood 'board and sit over the white edge binding for maximum playing width. Speaking of necks, Epiphone has spec'd this one with a '1960s SlimTaper D Profile', which in the hand feels a little bigger than the relatively trim front-to-back depth.

That immediately gives the instrument a lightweight feel, and while the Bigsby adds weight, it also adds balance strapped on the trapeze version is slightly neck-heavy by comparison. The Casino doesn't have a Gibson ES-335-style centre block, and is instead fully hollow, like an ES-330. This is simply a very cool, unusual guitar. And, colour aside, there are no signatures to put you off if you don't like the artist. Unlike the other Chinese-made Casinos currently offered by Epiphone, this one comes without a pickguard and with Gibson USA P-90s housed under their metal covers.

It's a lively performer, with a short and plucky response

Epiphone casino black pickguard placement